REVIEW: Unsung women no more in REP’s “Silent Sky”
“Repertory Philippines paints a stellar feminist portrait of one Henrietta Leavitt, as she charged headstrong into the world of astronomy (and men).”
REVIEW: Juan Tamad—a riotous children’s musical (for adults)
“Just like how the source material had a relatively more contemporary feel, director Jonathan Tadioan opted to incorporate pop culture references, solidifying the production’s relatability with its audience.”
Tony Award-winning musical “Come From Away” gets film adaptation
Welcome to the rock!
REVIEW: Terror, tension in Theatre Titas’ twin bill ‘What’s In The Dark?’
“Posing similar questions but offering contrasting answers, Beheld and Carol explores the pivotal role of children on the adult psyche. Along the way, the plays define redemption in two very different ways: unintended as with Saul, helplessly forced as with Newton.”
Quiara Hudes and Lin-Manuel Miranda Request The Weinstein Company to Drop ‘In The Heights’ adaptation
“As a woman, I can no longer do business with The Weinstein Company.” -Hudes
REVIEW: Juxtaposed realms in Tanghalang Ateneo’s new ‘Janus Silang’
Just like the crossing between realms, this sequel takes its audience to a stylistically-different dimension.
First Look at Mean Girls—The Plastics!
They wore pink on Wednesdays. Watch out because starting next year, they’ll be wearing pink, 8 shows, 7 days a week on Broadway!
REVIEW: Beauty shines through in “Beauty and the Beast”
“This Joy Virata-helmed production is thoroughly delightful with its lovely (and sometimes hilarious) music by Michael Valenti and lyrics by Elsa Rael.”