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Author: Emil Hofileña

Kisapmata — Lhorvie Nuevo-Tadioan and Jonathan Tadioan; Photo Credit: Yan Caringal

REVIEW: ‘Kisapmata’ explores a nation’s cycles of abuse in microcosm

3 Upuan — L-R: Jojit Lorenzo, Martha Comia, JC Santos; Photo Credit: Irvin Arenas

REVIEW: ‘3 Upuan’ is an extraordinary study of the purpose of grief

Nagkatuwaan sa Tahanang Ito — L-R: Soliman Cruz, Joshua Cabiladas, Thea Marabut, Peewee O’Hara; Photo Credit: Reamur David

REVIEW: ‘Nagkatuwaan sa Tahanang Ito’ is a terrifying family portrait

Medea — Miren Alvarez-Fabregas as Medea; Photo Credit: Ariana Jurisprudencia

UNI-BASED REVIEW: Tanghalang Ateneo’s ‘Medea’

Emulsyon, Elijah Canlas, Meryll Soriano — Meryll Soriano and Elijah Canlas in Emulsyon; Photo Credit: Yan Caringal

REVIEW: Elijah Canlas and Meryll Soriano talk martial law in twin bill ‘Emulsyon’

Sa Tahanan ng Aking Ama — L-R: Uriel Dolorfino, Louis Paguia, Joy Delos Santos, Glecy Atienza, Gie Onida; Photo Credit: Chavi Mendoza

UNI-BASED REVIEW: Ateneo Entablado’s ‘Sa Tahanan ng Aking Ama’

Request sa Radyo — Lea Salonga; Photo Credit: Sandro Paredes/ Request sa Radyo

REVIEW: Finding meaning in silence and isolation in ‘Request sa Radyo’

Othello — L-R: Gab Pangilinan as Desdemona and Maronne Cruz as Emilia; Photo Credit: May Celeste

REVIEW: Men’s corruption and women’s solidarity in a potent, stripped-down ‘Othello’

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