Reviews
REVIEW: “End of the Gallows”
“To say that it was intense is to diminish the power of the play. It was a force of nature.”
REVIEW: “Rak of Aegis” – floods, fun, and Aegis
“With so many moving parts, and a production that encourages improvisation, it’s no surprise that the show inspires repeat viewings from its audiences.”
REVIEW: “Kung Paano Ako Naging Leading Lady” – soap opera musical
“This is a raucously fun show, but it is weighted with purpose.”
REVIEW: CSB’s “This is Who We Are”
“The show is about loss, hope, and new beginnings and writer-director Nuel Rivera has churned out a story which is sincere at it’s core.”
REVIEW: “Haring Lear” – a roaring lion of a production
“Director Nonon Padilla is the perfect kind of genius to helm this groundbreaking production – with his Spartan-like attention to movement and tonality, Haring Lear might very well be his most accomplished, extensive canvass to date.”
REVIEW: The Sandbox Collective’s “The Pillowman”
“McDonagh’s play is whip-smart, with complex layers that explore the reliability of a story and a storyteller.”
REVIEW: Green Glass Door’s “Dance Until You Shatter Yourself”
“For over an hour, Daniel Darwin spun—and it was breathtaking.”
REVIEW: Ballet Manila’s BM 2.0
“It was like being in a rock concert, but instead of guitars and drums, it was more than 30 dancers shaking the ground with nothing but perfect ballet.”