Tony Mabesa directs both “Fathers & Sons” and the Jose F. Lacaba and Virgilio Almario translation, “Mga Ama, Mga Anak”, with a directness that allows Joaquin’s resonant words to bear new relevance decades after its writing.
David Ezra’s performance keeps the show from going completely off course. He is well-cast as our serious, straight-shooting hero. His magnetism, impressive singing, and sheer stamina was the sobering presence that anchors the audience back to why this musical exists in the first place: Aurelio.
Joey Mendoza’s office break room set was appropriately grubby. It’s not sterile or glossy, but lived-in almost, complete with flickering lights (lighting designer John Batalla)—the sort of place you would find a man like Ray.
Celeste Legaspi: “I think the biggest challenge right now is for us to get into the Metro Manila Film Festival (MMFF) because it is our duty as producers to show Ang Larawan to the biggest audience that we can find.”