“It’s only fitting that PETA brings back Galileo’s story, and does so in their original home. Perhaps so we can be reminded that the knowledge we enjoy is a privilege hard-won by the great thinkers who came before us.”
“Tanghalang Pilipino brings back this American classic to serve as a warning and with Dennis Marasigan’s clear-eyed direction and Jerry Respeto’s lucid and potent translation, the message is quite clear.”
Tony Mabesa directs both “Fathers & Sons” and the Jose F. Lacaba and Virgilio Almario translation, “Mga Ama, Mga Anak”, with a directness that allows Joaquin’s resonant words to bear new relevance decades after its writing.
David Ezra’s performance keeps the show from going completely off course. He is well-cast as our serious, straight-shooting hero. His magnetism, impressive singing, and sheer stamina was the sobering presence that anchors the audience back to why this musical exists in the first place: Aurelio.
Joey Mendoza’s office break room set was appropriately grubby. It’s not sterile or glossy, but lived-in almost, complete with flickering lights (lighting designer John Batalla)—the sort of place you would find a man like Ray.