REVIEW: Meager, brisk history in “Miong”
The Joy Virata-penned musical paints a broad, almost hollow portrait of Emilio Aguinaldo.
REVIEW: “Charot” is a crash course on federalism
This new original from PETA is at its strongest as a lesson on federalism, and gives its audiences a new way to engage with the material.
REVIEW: “This is War” is no frills, just performances
With their second season offering, C.A.S.T. (Company of Actors in Streamlined Theater), has found their unique groove in staged readings.
REVIEW: The engaging charm of “Every Brilliant Thing”
‘Immersive’ takes on a literal meaning in this Jenny Jamora-directed production of Duncan Macmillan and Jonny Donahoe’s interactive play.
REVIEW: “Silent Sky” shines ever bright
Last year’s stellar “Silent Sky” reruns for 2 weeks, just as vibrant and empowering as before.
REVIEW: Passing conversations in “Manila Notes”
The 20-person cast, especially Meann Espinosa and Mayen Estranero as sister in laws of a large, reuniting family, made their respective plots intriguing to watch with their performances
REVIEW: “Waitress” serves up comfort and warmth
Ampil gives an almighty performance as Jenna, reaching its apotheosis in the show’s emotional climax, “She Used to Be Mine”.