REVIEW: “Roses for Ben” is rough and melodramatic
Playwright Rayna Jarabo and director Roeder Camanag stage a shallow telling of a man who discovers he has HIV.
REVIEW: In “Laro”, sex is a dangerous game
This John Mark Yap-directed production of Floy Quintos’s play is an uneven exploration into male sexuality.
REVIEW: “The Dresser” is showcase of artistry
He’s not The Dresser, but Teroy Guzman gives an indelible performance in this Loy Arcenas-directed production.
REVIEW: An “Angels in America” on clipped wings
Uneven performances keep this Bobby Garcia-directed undertaking of Tony Kushner’s epic from truly soaring.
REVIEW: “Phantom of the Opera” is pure stage magic
The touring production of Andrew Lloyd Webber’s hit musical brings incomparable theatricality for local theatergoers.
REVIEW: Meager, brisk history in “Miong”
The Joy Virata-penned musical paints a broad, almost hollow portrait of Emilio Aguinaldo.
REVIEW: “Charot” is a crash course on federalism
This new original from PETA is at its strongest as a lesson on federalism, and gives its audiences a new way to engage with the material.
REVIEW: “This is War” is no frills, just performances
With their second season offering, C.A.S.T. (Company of Actors in Streamlined Theater), has found their unique groove in staged readings.