REVIEW: “Sweeney Todd” is a surprising visit to Fleet Street
Lea Salonga’s astounding transformation as Mrs. Lovett make this Bobby Garcia-directed retelling not one to miss.
REVIEW: “Katsuri” is a theatrical feat
Bibeth Orteza’s adaptation of Steinbeck’s ‘Of Mice and Men’ sets a standard for adaptations, local plays, and theater-as-advocacy.
REVIEW: “Magnificat” is a sterile rendering of the Jesus story
There’s nothing new in this Laurice Guillen-directed, Nestor Torre-penned, and Ryan Cayabyab-composed musical about the Jesus story.
REVIEW: In “Company”, it’s style over Sondheim
Topper Fabregas’s stylized direction gets in the way of this Sondheim classic.
Irene Marcos-Araneta’s Presence During a Dulaang UP Show Causes Uproar
The university-based company finally released an official statement.
REVIEW: “Dancing Lessons” is a typical staging of atypical love
With Francis Matheu’s perfunctory direction, this one-act about atypical love is middling at best.
REVIEW: “Dani Girl” is one sweet tear-jerker of a musical
Felicity Kyle Napuli and Rebecca Coates give very different, but equally affecting performances alternating as a sick but lionhearted 9-year-old.
REVIEW: “Stop Kiss” is an exquisite staging of a love story
Missy Maramara and Jenny Jamora stars in this transcendent Ed Lacson Jr. directed play about love persisting over hate.